BIOGRAPHY

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Originally from Venezuela and based between Florida and New York, Dinorah Delfin is a multidisciplinary conceptual artist and techno-progressive futurist exploring the intersection between identity, human evolution, and emerging technologies. Utilizing diverse mediums—including large-scale digital imagery, AI art, traditional media, writing, and activism—Delfin seeks to inspire personal agency by prompting viewers to explore the evolving intersection between human existence and biodigital synthesis.

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Delfin’s artistic language intricately weaves symbolism, speculative narrative, and evolutionary theories, provoking reflection on the essence of human identity. Her rigorous explorations fuse classical aesthetics, surrealist composition, and digital innovation, capturing the complexities of consciousness amid rapid biotechnological and societal transformations.

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Delfin earned her Bachelor’s Degree in Entrepreneurship Management (cum laude, minor in English) from Baruch College’s Zicklin School of Business. Her capacity to integrate business acumen with creative enterprise positions her at the forefront of techno-futurist thought and posthuman aesthetics, redefining creative industries, artistic expression, and ethical futurism.

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The conscious enhancement of human potential and evolution of consciousness remain central to Delfin’s artistic practice. Her 2009 debut solo exhibition—curated by Elga Wimmer in New York City’s prestigious Chelsea art district and dedicated to her mentor, pioneering artist Chuck Close—featured her Pixelated Hybrid Paintings (2007), and HOLY, a series of digitally constructed self-portraits. Acclaimed by art critic Jerry Saltz as “unique and intriguing,” HOLY marked Delfin's continuous exploration of digital technologies as essential tools for creative expression and evolutionary transformation.

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Inspired by advancements in large language models (LLMs) such as ChatGPT and image-generation platforms like DALL-E and Midjourney, Delfin embarked on a new trajectory with her 2023 series SYNTHMORPHIX. This series investigates the synthesis of organic and artificial influences on human form, cognition, and creativity, merging AI-generated imagery with classical figurative and abstract compositions. SYNTHMORPHIX presents speculative visions of human-machine co-evolution, exploring themes of agency, self-transcendence, cultural transformation, and social justice through photorealistic renderings in a style Delfin calls Synthmorphik Realism.

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Expanding upon these themes, Delfin’s forthcoming curatorial exhibition, BEYOND BEYOND (September 2025), aims to stimulate ethical and existential dialogue around emerging technologies, radical human enhancement, ecological concerns, and multi-planetary evolution. This exhibition positions art as a critical medium for shaping human perception and guiding evolution toward an ethical and sustainable future.

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Delfin’s work has been exhibited internationally, with solo and group shows in New York, Miami, The Hamptons, and Europe, and is part of prestigious collections, including those of Denzel Washington, Lionel Richie, Chuck Close, and the Rothschilds. She is Founder and Chief Editor of Immortalists Magazine, a publication dedicated to exploring groundbreaking science and technologies impacting human potential, collaborating with leading artists, scientists, and futurists. Delfin also founded ArtDimensional Studio, a media production company specializing in experimental art and bespoke creations.

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An influential advocate for ethical futurism and transformational arts, Delfin actively participates in international symposia, including the NYU Posthuman Summit, the International Conference of Technoscientific Awareness, and the upcoming Unicorn Summit in Portugal (June 2025). She is affiliated with prominent art and scientific organizations such as Americans for the Arts, Lifeboat Foundation, Methuselah Foundation, NeuroRights Foundation, Foresight Institute, Age Reversal Network, and The Global Posthuman Network.